TRAUMA is a unique first person point-and-click adventure game where the environment is assembled from augmented photography instead of conventional 3D graphics. The mood is dark and surreal, as the player explores mysterious dreams of a character that has fallen victim to an automobile accident, filled with hints of her past and clues to her present condition:

Dutch Angles is a simple sidescrolling arcade game created by Yuliy Vigdorchik and Benjamin Esposito, submitted for the Lunarcade Factory game jam in April 2011. The theme of the jam was “Lines”. Dutch Angles presents what is essentially a 2D game in a more dynamic 3D space, with converging lines and a constantly shifting camera angle, and a very simple color scheme made up of gradients of bold yellows and oranges… small choices that yield strikingly beautiful visualizations at any given point in the game:

Feign, a Flash game developed by Ian Snyder, sends the player on a first-person journey through a 3D maze where positive and negative space are reduced to stark, solid shapes. Every hall, floor, wall, doorway, and ceiling becomes a becomes a minimalist arrangement of contrasting fields, a stripped-down snapshot of abstracted graphic elements. Distance is only perceived by making assumptions about a few converging lines, and not by recognizable objects or atmospheric effects common in other FPS games. There is an old adage: “simplicity is the ultimate sophistication”, and Feign simplifies its world to an extraordinary degree:

Norrland was created by Swedish freeware game designer Jonatan Söderström (also known simply as Cactus), who has released over 40 titles between 2005 and 2010. He has been nominated for multiple awards in the annual Independent Games Festival, namely Excellence In Visual Arts and Excellence in Audio in 2008 for Clean Asia, and the Nuovo Award in 2010 for Tuning. In Norrland, you play as a man out on a hunting trip in rural northern Sweden who, throughout a series of rather sadistic and perverse minigames, has violent encounters with nature, suffers from bizarre, psychedelic dreams, and manages gratuitously explicit everyday camping necessities.

The games of Vasily Zotov are in the puzzle adventure genre, with fantastical overtones and somewhat autobiographical narrative themes… or, as Zotov calls it: “a little bit of truth reflecting through the fiction.” Zotov, a Russian immigrant who lives in Los Angeles, has been involved in a deportation struggle with US Bureau of Citizenship and Immigration Services, and his real-life struggles have proven very influential to his games. The series, consisting of the games SpaceSpy, Refugee, and Refugee: The Second Hearing, tells the story of a homeless “alien” character who emerges from the sewers in Hollywood, is admitted to a psych ward and escapes, and eventually appears before and escapes an extradition court, all under the gaze of the ominous “Director Canavati”.

Valentinel Hopes is described as “an abstract open world platformer for hardcore gamers”, a brief and uncomplicated game where the player must speed down a narrow track through a world resembling abstracted, fractured glimpses of our own, unfolding in a stunning kaleidoscopic fashion.

Originally released as a Flash game in early 2006, flOw was written by Jenova Chen and Nicholas Clark as a part of Chen’s thesis research at the USC Interactive Media Division. In the game, the player controls a simple aquatic microorganism whose goal is to consume other creatures and descend to deeper and more difficult levels of an oceanic environment.

Devil’s Tuning Fork is an unusual 3D exploration game created by a student team at DePaul University known as the DuPaul Game Elites. The game takes place in the dark, shared subsconcious of children in a coma, where the player must use waves of sound to illuminate their surroundings. The goal is to free yourself and other children who are imprisoned in this alternate reality and find the cause of the mysterious epidemic.

Hazard: The Journey of Life is a “Philosophical First Person Single Player Exploration Puzzle Art Game” where the player must work their way through a succession of byzantine corridors, solving a series of spacial problems, in order to liberate themselves from captivity. Each challenge rewards the player with a simple lesson, and the promise that they are just that much closer to freedom. The journey serves as an analogue for the types of problems one inherently encounters throughout life, and all the unpredictability that goes along with it.

I was first introduced to Golf? at the Independent Games Festival at GDC2005 in San Jose, and again later that year at the IndieGamesCon in Oregon. This game has since found a place in my mind as the ultimate holy grail of bizarre game art, sealed by the fact that it was never officially released.

Created by a joint effort from Detective Brand and Chronic Logic, Golf? is in fact a golf game that features a sort of macabre, misplaced, French art noir film-meets Alice in Wonderland art style.